Soloists

Maria Repetieva

Maria Repetieva

Soloist

 

  • - Silver medal at the Mikhailovsky Theatre Grand Prix (2010)
  • - Winner of the Galina Ulanova Foundation Scholarship (2009)
  • - Silver medal at the Gifted Youth of Siberia Contest (part of the Delphic Games) in the Modern Dance nomination (2009)
  • - First prize at the 7th Siberian International Contest (2008)
  • - Second prize at the 3rd Dances of Peoples Around the World International Contest and Festival (2005)

Born in Omsk. In 2011, graduated from the Novosibirsk State Choreographic College, where she studied under L. Ya. Kondrashova. From 2011 to 2013, performed at the St. Petersburg State Academic Leonid Yacobson Ballet Theatre. Joined the Karelia Republic Musical Theatre in 2013. Performed at the Theatre until 2015. From 2015 to 2016, was a soloist at the Primorsky Opera and Ballet Theatre. From 2016 to 2019, was a soloist at the Imperial Russian Ballet. Rejoined the St. Petersburg State Academic Leonid Yacobson Ballet Theatre as a ballerina in 2019. Playing as a soloist at the Theatre since 2022.
 

Past appearances:
 

At the Karelia Republic Musical Theatre:

  • Medora in Le Corsaire (choreography by Marius Petipa and Pyotr Gusev);
  • Sugar Plum Fairy in The Nutcracker (choreography by Lev Ivanov);
  • Myrtha in Giselle (choreography by Jean Coralli, Jules Perrot, and Marius Petipa).

 

At the Imperial Russian Ballet:

  • Masha, Doll, and a performer in Chinese Dance, Trepak, and Pas de Trois scenes in The Nutcracker (choreography by Vasili Vainonen);
  • Little Swan and Hungarian Dance solo in Swan Lake (choreography by Marius Petipa and Lev Ivanov);
  • Cupid, Street Dancer, and Dryad Queen in Don Quixote (choreography by Marius Petipa), where she also played in the Inserted Variation in Act 3;

 

At the Primorsky Opera and Ballet Theatre:

  • Pas de Deux in Les Millions d’Arlequin (choreography by Marius Petipa);
  • Maiden in Le Spectre de la Rose (choreography by Michel Fokine);
  • Pas de Trois and Inserted Variation in Paquita (choreography by Marius Petipa);
  • Pas de Deux in Flames of Paris (choreography by Vasili Vainonen).

 

Credits:

  • Kitri and Flower Girl in Don Quixote (choreography by Johan Kobborg, based on a ballet by Marius Petipa);
  • Mona, Zulma, and Inserted Pas de Deux in Giselle (choreography by Jean Coralli, Jules Perrot, and Marius Petipa);

  • Odette, Odile in Swan Lake (choreography by Marius Petipa and Lev Ivanov);

  • Pas de Trois, Grown Swans, and Swan Duo in Swan Lake (choreography by Marius Petipa and Lev Ivanov);

  • Fairy of Audacity, Fairy of Mischief, Diamond, and Gemstone in The Sleeping Beauty (choreography by Marius Petipa and Jean-Guillaume Bart);
  • Masha, Snowflake Duo, Spanish Dance, and Waltz of the Roses Quartet in The Nutcracker (choreography by Vasili Vainonen);
  • Pas de Quatre from the Classicism– Romanticism cycle (choreography by Leonid Yacobson);
  • Ecstasy from the Rodin cycle (choreography by Leonid Yacobson);
  • Brilliant Divertissement (choreography by Leonid Yacobson);
  • Cheeky Chastushki (choreography by Vyacheslav Samodurov);
  • 598 Beats (choreography by Vyacheslav Samodurov).
     
Maria Repetieva
Maria Repetieva